Category: Sony cassette video

A videocassette recorder VCR or video recorder is an electromechanical device that records analog audio and analog video from broadcast television or other source on a removable, magnetic tape videocassetteand can play back the recording. Use of a VCR to record a television program to play back at a more convenient time is commonly referred to as timeshifting. VCRs can also play back prerecorded tapes. In the s and s, prerecorded videotapes were widely available for purchase and rental, and blank tapes were sold to make recordings.

Most domestic VCRs are equipped with a television broadcast receiver tuner for TV reception, and a programmable clock timer for unattended recording of a television channel from a start time to an end time specified by the user. These features began as simple mechanical counter-based single-event timers, but were later replaced by more flexible multiple-event digital clock timers.

In later models the multiple timer events could be programmed through a menu interface displayed on the playback TV screen " on-screen display " or OSD. This feature allowed several programs to be recorded at different times without further user intervention, and became a major selling point. The history of the videocassette recorder follows the history of videotape recording in general.

InDr. Norikazu Sawazaki developed a prototype helical scan video tape recorder. Ampex introduced the quadruplex videotape professional broadcast standard format with its Ampex VRX in It became the world's first commercially successful videotape recorder using two-inch 5. InToshiba introduced a "new" method of recording known as helical scan, releasing the first commercial helical scan video tape recorder that year.

In Philips introduced their EL 1-inch helical scan recorder, aimed at the business and domestic user, and Sony marketed the 2" PV, their first reel-to-reel VTR, intended for business, medical, airline, and educational use. It was developed by Michael Turner and Norman Rutherford. However, there were several drawbacks as it was expensive, not easy to assemble, and could record only 20 minutes at a time.

It recorded in black-and-white, the only format available in the UK at the time. The EIAJ format was a standard half-inch format used by various manufacturers. EIAJ-1 was an open-reel format. EIAJ-2 used a cartridge that contained a supply reel; the take-up reel was part of the recorder, and the tape had to be fully rewound before removing the cartridge, a slow procedure.

The development of the videocassette followed the replacement by cassette of other open reel systems in consumer items: the Stereo-Pak four-track audio cartridge inthe compact audio cassette and Instamatic film cartridge inthe 8-track cartridge inand the Super 8 home movie cartridge in Invideocassettes of movies became available for home use. Sony demonstrated a videocassette prototype in Octoberthen set it aside to work out an industry standard by March with seven fellow manufacturers.

The result, the Sony U-matic system, introduced in Tokyo in Septemberwas the world's first commercial videocassette format.

Sony also introduced two machines the VP videocassette player and the VO, also called the VO video-cassette recorder to use the new tapes. InPhilips developed a home video cassette format specially made for a TV station in and available on the consumer market in Philips named this format " Video Cassette Recording " although it is also referred to as "N", after the first recorder's model number.Here at Walmart. Your email address will never be sold or distributed to a third party for any reason.

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Average rating: 3. Average rating: 2. Product Title konig vhs-c cassette adapter [kn-vhs-c-adapt] - not Average rating: 3 out of 5 stars, based on 2 reviews 2 ratings.U-matic is an analogue recording videocassette format first shown by Sony in prototype in Octoberand introduced to the market in September It was among the first video formats to contain the videotape inside a cassette, as opposed to the various reel-to-reel or open-reel formats of the time.

Unlike most other cassette-based tape formats, the supply and take-up reels in the cassette turn in opposite directions during playback, fast-forward, and rewind: one reel would run clockwise while the other would run counter-clockwise.

A locking mechanism integral to each cassette case secures the tape hubs during transportation to keep the tape wound tightly on the hubs. Once the cassette is taken off the case, the hubs are free to spin. A spring-loaded tape cover door protects the tape from damage; when the cassette is inserted into the VCR, the door is released and is opened, enabling the VCR mechanism to spool the tape around the spinning video drum.

Accidental recording is prevented by the absence of a red plastic button fitted to a hole on the bottom surface of the tape; removal of the button disabled recording.

PanasonicVictor Co. Later models sported improvements such as chassis sized for EIA inch rack mounting, with sliding rack rails for compressed storage in broadcast environments, solenoid control mechanics, jog-shuttle knob, remote controls, Vertical Interval Time Code VITClongitudinal time code, internal cuts-only editing controls, "Slo-Mo" slow-motion playback, and Dolby audio noise reduction.

U-matic was named after the shape of the tape path when it was threaded around the helical scan video head drum, which resembled the letter U.

sony cassette video

Recording time was limited to one hour. At the introduction of U-Matic, Sony originally intended it to be a videocassette format oriented at the consumer market. This proved to be something of a failure, because of the high manufacturing cost and resulting retail price of the format's first VCRs. As a result, Sony shifted U-Matic's marketing to the industrial, professional, and educational sectors.

U-Matic saw even more success from the television broadcast industry in the mids, when a number of local TV stations and national TV networks used the format when its first portable model, the Sony VO, was released in This model ushered in the era of ENG, or electronic news gatheringwhich eventually made obsolete the previous 16mm film cameras normally used for on-location television news gathering. Film required developing which took time, compared to the instantly available playback of videotape, making faster breaking news possible.

U-matic is also available in a smaller cassette size, officially known as U-Matic S. To minimise weight and bulk in the field, portable recorders had an external AC power supply, or could be operated from rechargeable nickel-cadmium batteries. The price point of the VO series was oriented toward educational, corporate and industrial fields, featured unbalanced audio connectors, and did not typically include SMPTE time code although one or two companies offered after-market modification services to install longitudinal time code.

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The VO was largely metal, which made the unit heavy, but still technically portable. The VO had the same functionality as the VO, but at a greatly reduced weight and size, by replacing many components with plastic. The VO added the improvement of a long, thin battery standard "candy bars" that permitted storage of the batteries in a trouser pocket.

The VO was the last of the portable VO series to be produced by Sony, and featured solenoid-controlled transport.

sony cassette video

The BVU enabled recording in the field but not playback, and the BVU permitted both recording and playback in the field. Portable recorders were connected to the camera with a multi-conductor cable terminated with multi-pin connectors on each end. Early studio and all portable U-Matic VCRs had a drawer-type mechanism which required the tape to be inserted, followed by manual closure of the drawer a "top-loading" mechanism. Later studio VCRs accepted the cassette from a port opening and the cassette was pulled into and seated in the transport a "front-loading" mechanism.

S-format tapes could be played back in older top-loading standard U-Matic decks with the aid of an adapter the KCA-1 from Sony which fitted around an S-sized tape; newer front-loading machines can accept S-format tapes directly, as the tapes have a slot on the underside that rides along a tab.

U-Matic S tapes had a maximum recording time of 20 minutes, and large ones 1-hour, although some tape manufacturers such as 3M came out with minute S-tapes and minute large cassettes and DuPont even managed minute tapes [3] by using a thinner tape.There is, however, a way to still play your tapes.

sony cassette video

These tapes were small enough to fit in a handheld camcorder, rather than a large, bulky shoulder-mounted camcorder which VHS tapes often required. Millions of consumers soon found the benefit of switching to the smaller sized tapes, as they offered similar recording times and even better quality picture than what VHS could offer.

This ended up being the one major downside to these Hi-8 and Video8 tapes. The camcorders themselves, however, offered an easy hookup to most televisions via RCA cables, which allowed people to watch their footage on their TVs with little else to set up.

Well, after a couple of decades, not many of us still have held onto the old 8mm video camcorder. When this happens, your whole collection of recordings are nearly be rendered useless unless you transfer the tapes to DVD or to your computer as digital video files.

Unfortunately, the answer is no because the tapes are simply too much of a different format and the technology is too different to be cross compatible. Find an old camcorder on eBay or craigslist that support the type of tapes you have. Find a standalone deck that plays 8mm tapes. Please note that these are much more expensive than camcorders, but also allow additional dubbing and editing functionality. Plus, one of our video technicians can let you know which types of tapes you have, and also provide you some options for capturing or viewing your tapes.

Hey there, unfortunately there is no such thing as an adapter from 8mm to VHS. The technology is too different for them to be cross compatible.

Your best bet is to look for an old camcorder or video8 deck. We can transfer both standard audio cassettes and microcassettes to CD or digital audio file which can be placed on your hard drive.

What can I do to get the picture to play as well? Please help. Dear Sir, I was playing my old sanyo camcorder 8mm video tapes. Lots of interference but kept playing until it corrected itself with no interference.

However the sound is not good and cannot hear the voices very well. I attached a loudspeaker to camcorder but no improvement. The camcorder could in time correct itself vis a vis the sound but doubt it. Watching ur video looks like there is no solution.

Maybe to find another similar camcorder is the next possible solution and to ask around who has one that I could borrow. Your email address will not be published.Skip to main content. Add to Watch list. People who viewed this item also viewed. Picture Information. Mouse over to Zoom - Click to enlarge.

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May not ship to Russian Federation - Read item description or contact seller for shipping options. See details. Item location:. Brantford, Ontario, Canada. Ships to:. This amount is subject to change until you make payment. For additional information, see the Global Shipping Program terms and conditions - opens in a new window or tab This amount includes applicable customs duties, taxes, brokerage and other fees.

For additional information, see the Global Shipping Program terms and conditions - opens in a new window or tab. Credit cards processed by PayPal. International shipping paid to Pitney Bowes Inc. Learn More - opens in a new window or tab International shipping and import charges paid to Pitney Bowes Inc.This was the first step toward realizing Masaru Ibuka's dream of creating a video player that would be suitable for home use in terms of both size and price.

The CV was roughly the same size as an audio tape recorder of that time. This VCR, which had two rotary heads, was a reel-to-reel type unit and it reproduced fantastic black and white images.

Videocassette recorder

In addition, the price of the CV was less than one-hundredth a broadcast-use model, and less than one-tenth the price of an institutional model. The machine's key feature was the use of rotary heads, which cost more than static heads. This disproved the commonly held view of many in the industry that rotary heads employed for broadcast and institutional-use models could not be adapted for a home-use VCR.

The world gasped in wonder at the picture quality of the new machine, and Kihara could proudly answer previous skeptics by saying, "Technology does not abide by common sense. Our goal is to break down ideas people have come to accept as common sense. Although manufactured as the first home-use VCR, most of the CV machines were actually used for medical and industrial purposes before finding their way into schools and, eventually, homes.

So in spite of the "home-use" label, in reality the reel-to-reel type CV, which could record and play back black and white images, proved to be an extremely popular institutional model. But before long, the Sales Department expressed dissatisfaction with reel-to-reel type black and white VCRs.

Sales people requested color models and asked engineers if they could design a VCR that used a cassette tape similar to an audio tape recorder. As the name "reel-to-reel" suggests, the reels that hold and wind the tape are separate units located on top of the actual VCR deck.

The user has to pull the tape from the supply reel and feed it through the record and playback devices to wind the reel each time to operate the machine. Besides being extremely inconvenient, the process is tricky as the tape can easily be damaged when handled. The use of a cassette tape would eliminate this problem by allowing the user to operate the machine by simply placing the cassette tape in the deck, which would then, automatically run the tape.

The move from reel-to-reel to cassette was rapidly occurring in the audiotape industry at this time. Kihara grumbled, "The construction of a VCR is very complex. It will be extremely difficult to build a machine that will use a cassette tape, let alone in color. You don't understand what you are asking the engineers to do!

Sony EVO-220 Video8 HiFi Video Cassette Recorder

Why can't we incorporate this function into video players? This is the obvious next step that has to be taken in the development of this product. These functions had previously been performed by the devices on top of the deck. This was to be achieved with a cassette tape that could be used in a similar fashion to those used by audio tape recorders. However, in the case of a VCR, a further mechanism had to be included to automatically pull the tape from the cassette case so that the tape could pass over the drums attached to the record and playback heads.You pick something up that says it is a VHS adapter.

However, to your dismay, the 8mm tape doesn't fit. Frustrated, you demand the salesperson get you a VHS adapter for 8mm tapes. The salesperson responds that there is no adapter for playing 8mm tapes. You respond, "But my cousin in Jersey has one, he just pops in his camcorder tape in the adapter and puts it in his VCR".

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However, the salesperson is right. These formats were never developed to be compatible with VHS technology. He owns a VHS-C camcorder, not an 8mm camcorder. In their mind, if it is smaller than a VHS tape, it must be an 8mm tape. To verify what format tape you have, take a close look at your tape cassette. These units weren't reliable and the products were discontinued after a short period.

Chapter1 The Video Cassette Tape

Also, it is important to re-emphasize that these units were never able to accept an 8mm tape. Once again, these are not compatible with 8mm and the miniDV tape is not inserted into the VHS slot for playback. You then select the correct TV input, press play on your camcorder, and you are set to go. If you find yourself in the situation where you have a collection of 8mm and Hi8 tapes and no way to play them back or transfer them because your camcorder is no longer operational or you no longer have one, there are several options available to you:.

If your camcorder and VCR or DVD recorder both have S-Video connections, that is preferred at that option provides better video quality over composite video connections. Use the one that is most convenient. The reason for this is to make sure you don't miss the first few seconds of the video that is being played back on your Camcorder.

1986 Sony HF Type 1 Cassette Review - My favourite "cheap" cassette ever

Tweet Share Email. Along with the recorded video and audio signals, there is a control track. This audio recording is done via the same heads that do the video recording. The audio in the VHS format is recorded and played back by either the tape moving across a stationary head, away from the video heads, or, in the case of HiFi Stereo VHS VCRs, by a process called Depth Multiplexingin which separate heads on the rotating VCR head drum record the audio under the video recording layer, instead of on the same layer as the video signal, as 8mm and HI8 do.

The adapter would have to house the 8mm tape cassette correctly. Just sticking an 8mm tape into a VHS cassette shell even if it could fitdoes not address the further technical conditions listed above.

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